Textos Inglês

CAMERON, Dan. "Phantasms. An interview with Regina Silveira"
For the past few decades, the work of Regina Silveira has steadly increase in prominence so that, at the age 71,...
COELHO, Teixeira. "Illuminating Art…And People"
Regina Silveira’s name means contemporary art at its best. In a very personal and enticing way. Her art is contemporary by displaying a...
COELHO, Teixeira, "Mirrors of Heaven"
Every great artist is dangerous. Dangerous for those who work with and around her...
COELHO, Teixeira. "An Old Art Made Anew."
Technology changes culture. Of course, what changes technology is culture – which means culture changes itself even if most people would like to...
DOCTORS, Marcio. "Effects and Affections"
This interview was done via email between the end of May and the beginning of June, 2006, in the middle of the international turmoil that ...
DOCTORS, Marcio. "Letter to Regina"
Dear Regina, Exactly ten years ago, in 2006, I did an annotated interview with you for the “Luz Zul” exhibition...
DOCTORS, Marcio. "Two Fires"
There is a Jewish parable I like very much that has been guiding my thoughts on aesthetical issues. This parable deals with how the divine...
KAMINSKI, Andreas. "Komentar"
The uncanny, which itself has been seen as the collision of two irreconcilable im pressions1, has connected two unusual partners: the psychology and ...
MACHADO, Arlindo. "Fiction Science"
At the very outset, we must make it clearthat we are not talking about science fiction, but precisely the opposite ...
MARTIN, Alejandro; ROCA, José. "Shadow Line"
A search in a dictionary always surprises: the definitions of words that we think we know include much more than the explanation of their conventional meaning ...
NAVAS, Adolfo Montejo. "Ars Critica"
Although the genealogy of plagues leads directly to Ancient Egypt and a historic imaginary with cultural intersections that include biblical ...
NAVAS, Adolfo Montejo. "Beyond the White Cube"
The intense relationship between art and architecture is not new. Just consider the way different media were incorporated through history: sculpture, for instance...
POWER, Kevin. "Interview with Regina Silveira"
You are now working on a project for the Palácio de Cristal a complex and dramatic space. What made you take this project on? What concepts did you toy with? ..
SILVEIRA, Regina. "On the Irruption Series (Saga)"
Footprints and tracks have constituted a significant part of the indexical imagery whose meaning I have been investigating over the past...
SILVEIRA, Regina. "The Irruption Series: a Genealogy"
My first interventions in specific architectures took place in the 1980s. These initial works were strongly linked to strategies aimed at graphically representing...
SILVEIRA, Regina. "Odyssey"
The invitation to create an immersive virtual reality environment derived from the partnership between Itaú Cultural and the HLRS- High Performance...
SILVEIRA, Regina. "A Path in Transit"
Over the course of my artistic career, I had not focused on a single medium; I was a painter, engraver, video and multimedia artist, went on to make books...
SILVEIRA, Regina. "Reviewing the Saint's Paradox. Ten Years Later"
Even before I had come up with the idea for The Saint’s Paradox in 1994, my imagination had already been sparked by the equestrian monument to the...
ZALUSKI, Tomasz. "Marks of the Real, Marks of the Phantasmagorical. Tomasz Załuski talks to Regina Silveira."
ZALUSKI, Tomasz. "Marks of the Real, Marks of the Phantasmagorical. Tomasz Załuski talks to Regina Silveira."...
ZANINI, Walter. "Regina Silveira"
Almost 10 years of exploration of illusionist perspectives passed before Regina Silveira´s works reached their moment"...